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Archive for July, 2008

Five great iPhone apps for guitar players

The whole world seems to be talking about the new iPhone 3G at the moment. And with good reason: I’ve had one for just over a week now and already I’m wondering how I managed without it.

One of the great features of the new iPhone software, which comes with the iPhone 3G and is available as a free uprgrade for older iPhones, is the ability to install third party applications.

Apple’s App Store is already brimming with fantastic applications. So what, you ask, has this to do with guitars, Kenny? Well, it so happens that quite a few of the new apps are music related and a number of those are aimed at guitar players.

Epiphone BB King Lucille

For as long as I’ve been able to play the guitar, BB King has been my favourite guitar player. There’s something about his style which manages to capture the joy and misery of the blues in one note. And the way he wrings the neck of his beloved Lucille to extract every last ounce of vibrato and sustain from it is sensational.
I’ve been lucky enough to see him live twice. On the first occasion, at the Edinburgh Playhouse in 1989, the theatre was absolutely jumping. Everyone was dancing by the end and there was a couple in front of us who looked they were having a particularly good time.

The five best guitar teachers on YouTube

YouTube is a fantastic resource for guitar lessons. Not only are there dozens of highly-skilled guitar players demonstrating chords, lick, styles and songs. But some of the world’s best, and most well-known guitar players, some of them sadly no longer with us, are right there giving lessons.

So I thought that it would be great to put together a kind of video notebook of some of the best lessons I could find on there and keep it so that when I get some time (ha!) I can watch the videos and learn a few new tricks.

Two great Slash Les Paul videos

It’s been a while since I posted any videos, so I thought I’d make up for it by posting two great videos today.

They both feature Slash. In the first — which is an Epiphone promo, so is a little ‘in your face’ — he talks about the Epiphone version of the Slash signature Les Paul and how he suggested it to Gibson as a way of making it available to those of us who can’t afford to drop $4,000 on one guitar.

The Epiphone Sheraton and that gorgeous Vampire Weekend guitar tone

Columbia University graduates, Vampire Weekend are one of a seemingly endless stream of bands to have come from nowhere and gained huge popularity almost overnight thanks to the internet. In Vampire Weekend’s case, it was indie music blog, Sterogum that played a crucial role.

Video: Learn to play the Slash way

Whatever your view of the man or his music, there’s no escaping that Slash is an icon. One of the most recognisable guitar players on the planet, both physically and in his playing, Slash has built an army of fans and would be imitators over the last 20 or so years.

His influence is so great, he’s the cover star for one of the biggest vide games of teh decade, Guitar Hero III, and has had a Slash signature model guitar made in his honour by both Gibson and Epiphone — and very fine guitars they are too.

Jimi Hendrix’s Epiphone

Danny has just posted a great piece on The Guitars of Jimi Hendrix, in which he describes how Hendrix played an Epiphone Wilshire . The Wilshire was a Strat-style guitar made between 159 and 1970 and which origianlly features two P-90 pick-ups and a Tune-o-matic bridge and stop tailpiece. In mid-192 the P_90s were replaced with mini-humbuckers.

The anatomy of an Epiphone guitar. Part 1: The Humbucker

The humbucker, or humbucking pick-up, is a feature of most of the electric guitars made by Epiphone and its parent company, Gibson.

The humbucker is a two-coil pick-up with coils of reversed polarity, reverse wound, and connected in series. The name is derived from the fact the design of the pick-up significantly reduces the noise and interference associated with single coil pick-ups used in other guitars, such as Fender’s Stratocaster. In other words, they ‘buck the hum.’